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AVATAR: FIRE AND ASH

​I 20th Century Studios Canada I December 19, 2025 I 192 mins. I

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TBA%

* As of 12/16/25

CAST:

Sam Worthington, Zoe Saldaña, Sigourney Weaver, Stephen Lang, Oona Chaplin, Cliff Curtis, Joel David Moore, CCH Pounder, Edie Falco, David Thewlis, Jemaine Clement, Giovanni Ribisi, Britain Dalton, Jamie Flatters, Trinity Jo-Li Bliss, Jack Champion, Brendan Cowell, Bailey Bass, Duane Evans, Jr.,  Kate Winslet

DIRECTOR(S): 

James Cameron

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“Avatar: Fire and Ash,” the third film in the phenomenally successful “Avatar” franchise, opens exclusively in theatres worldwide December 19, 2025. James Cameron takes audiences back to Pandora in an immersive new adventure with Marine turned Na’vi leader Jake Sully (Sam Worthington), Na’vi warrior Neytiri (Zoe Saldaña), and the Sully family. The film, which has a screenplay by James Cameron & Rick Jaffa & Amanda Silver, and a story by James Cameron & Rick Jaffa & Amanda Silver & Josh Friedman & Shane Salerno, also stars Sigourney Weaver, Stephen Lang, Oona Chaplin, Cliff Curtis, Joel David Moore, CCH Pounder, Edie Falco, David Thewlis, Jemaine Clement, Giovanni Ribisi, Britain Dalton, Jamie Flatters, Trinity Jo-Li Bliss, Jack Champion, Brendan Cowell, Bailey Bass, Filip Geljo, Duane Evans, Jr., and Kate Winslet.

REVIEW BY: Darren Zakus - 12/16/25

RATING 4.5 out of 5

Avatar: Fire and Ash is spectacle filmmaking at its finest that delivers the most emotional and character driven Avatar film to date which is bolstered by two outstanding performances from Zoe Saldaña and Oona Chaplin, but once again it is the technical magic of James Cameron’s filmmaking and his visual effects team that makes this latest Pandoran adventure a can’t miss cinematic event!  

 

Every time that James Cameron releases a new film, audiences know that it is going to be an event unlike anything else they have previously seen. But back in 2009, Cameron took audiences on an unforgettable adventure to the planet of Pandora in the science fiction epic Avatar, igniting the 3D craze in Hollywood and setting a new standard for visual effects work in cinema. It took over a decade for Cameron to return to the world of Pandora and the Na’vi, but it was more than worth the wait as Avatar: The Way of Water once again reignited audience’s appetite for an epic science fiction adventure, and three years later the story of the Sully family is continuing in Avatar: Fire and Ash. Three films in, there is no sign of fatigue with Cameron’s technical genius as he makes the impossible possible on the big screen with the outstanding visual effects work on display in every frame of the film, but the depth he finds within the characters in the third film is profound and moving, taking the series to new thematic heights that demands that this is not the last Avatar film that Cameron will make.

 

From the second Avatar: Fire and Ash starts; it is easy to see that Cameron originally envisioned this film and The Way of Water as a single chapter in the saga of the Sully family. Picking up in the exact moment that the previous film concluded in, the death of Neteyam looms over the entire film and gives Fire and Ash an emotional undercurrent that audiences have not experienced on Pandora before. Infused with an aching grief, rage and sense of vengeance, the realities of war ring loud and clear throughout the film’s screenplay, that thanks to the immense world building of the first two films (though the world does expand in this film with new clans and areas of Pandora), allows this film to truly dig into the individual characters and their arcs. At the same time, the dichotomy of fatherhood between Jake and Quaritch raises the stakes for the individual characters as the war between the humans and Na’vi intensifies as ideas of family, blood and love are explored across each family within the story, so that when the story reaches its climax, it delivers the most emotionally devastating and beautiful moment of the entire trilogy and the most brutal moments that Cameron has ever captured on camera since Titanic. With the addition of Mangkwan Na’vi clan led by the dangerous and unpredictable Varang, giving the franchise a deadly new villain with a murderous tendency that puts all of the main characters in grave danger, Fire and Ash has a maturity and darkness that invests the audience in the story and makes the over three hour run time fly by as it builds to that third act action spectacle that you can always count on Cameron to create. It is this mature thematic exploration in the screenplay that allows the story’s broader strokes, that while largely follows the formula of the previous two films and utilizes many of the same plot beats and will no doubt give those critics who want to be against Avatar something to complain about, to feel far less repetitive given the emotional payoff this Pandoran adventure has.


Many viewers will question what acting is on display in the Avatar films given the CGI element that visually dominates the film, but not only are the performances from the entire cast fantastic in Avatar: Fire and Ash, it features the best performances of the series to date. Last seen in her Academy Award winning performance, Zoe Saldaña is on a whole other level in the third entry in the series as Neytiri, bringing a devastating heartbreak to Neytiri’s suffering with the death of Neteyam. With her every facial expression so perfectly captured by the performance capture technology, Saldaña’s raw vulnerability screams with grief as she tries to honour her son in her traditions, clashing with Jake’s human desire for revenge, creating some charged arguments between husband and wife. It’s in these moments where both Saldaña and Sam Worthington soar in their performances as their character’s love and connection is tested unlike anything else they have faced with some painful exchanges as they each grapple with Neteyam’s death in different ways, but also have their connection strengthened by their love. Worthington and Stephen Lang are both excellent as Jake and Quaritch, playing out the intertwined story of fatherhood with a grit, bravado and tenderness that adds to the emotional undercurrent of this science fiction epic, while Sigourney Weaver continues to be excellent as Kiri as she discovers her mysterious origins and powers. Though, it is Oon Chaplin who consistently steals the film as Varang. From the second she arrives on screen, Chaplin terrifies with a deadly intensity that creates an unpredictable, violent and worthy adversary for the Sully Clan and ally to Quaritch that truly raises the stakes for this third entry in the series.

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To no one’s surprise, Avatar: Fire and Ash is an astonishing visual experience that is hands down the year’s best from a technical point of view. Cameron’s uncompromising direction and dedication to realism in this CGI world through his performance capture filming style, sets that recreate the environment that the characters are interacting with on Pandora, and creating movements that are lifelike for species that are not real, even though audiences are transported to an alien world, it feels as tangible as the world we ourselves live in. It is nothing new from Cameron in this franchise, who has dedicated the past two decades of his life to bringing his vision to life to ensure that there is no better visual experience to be seen on the big screen, but the jaw-dropping visual spectacle that Cameron conjures up in this third film, especially in the action sequences which will get viewers’ heart rates rising with the excitement, once again confirms him as king of the movie world. And while his work in the second film didn’t measure up to the work of his predecessor, Simon Franglen’s musical score this time around is a more robust musical soundscape with a fuller sound with fleshed out orchestrations and exciting new compositions (especially the theme for the Wind Trader clan), that evokes the greatness of the late James Horner’s original score.

 

Even though it has only been three years since Avatar: The Way of Water released, the advances in the CGI and HFR capabilities are astonishing to say the least. With these advancements, Cameron is able to create the most immersive experience of the year with fluid movement to the imagery on screen that begins to blur the line between captured images and real life. In the IMAX 3D High Frame Rate format, the realism to this alien world is nothing short of mind-blowing with the depth that shooting in 3D provides to the Pandoran environment, reminding that some films can only be seen in 3D format when the proper 3D rendering and filmmaking is used to create them. It's a technological achievement in filmmaking that not only solidifies Cameron as a master of his craft, but proves the viability of the HFR technology as not a distracting gimmick but a tool to make science fiction and fantasy worlds feel like a reality. 


If there is one thing that is certain, James Cameron needs to continue telling the story of the Sully family for years to come as with Avatar: Fire and Ash, he once again proves that no other director can match the technical marvel and jaw-dropping amazement that he conjures up on the big screen in this series. Combining state of the art filming techniques and visual effects work to bring every element of Pandora to glorious life, James Cameron creates the most immersive cinematic experience of the year that is only heightened in the IMAX 3D HFR format while continuing this saga with the most emotionally gripping entry to date. Full of amazement, danger and excitement that is only heightened by the exceptional performances of Zoe Saldaña and Oona Chaplin, Avatar: Fire and Ash delivers new emotional heights for James Cameron’s epic science fiction series in a cinematic blockbuster that is equally as thrilling as it is a visual marvel unlike anything you’ve seen before!

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