Boy Kills World is the bloody, action packed spectacle that midnight audiences want in their films, that with the talented cast led by Bill Skarsgård and Jessica Rothe, makes for one exhilarating, relentless and wildly entertaining midnight madness film.

 

Helming an action film requires dedication to the craft, as you not only have to be able to tell a story to catch the audience’s attention and hold it over the entire film, but you also have to orchestrate dazzling action scenes to deliver on the genre’s selling feature. And director Moritz Mohr, making his feature film debut, not only does this, but he does it with a stylish flare that makes for one wild, entertaining and adrenaline fueled ride from start to finish that action aficionados are going to eat up. Capturing a goofy yet serious tone throughout the film, that can only be likened to the films of James Gunn, Mohr makes excellent use of his all star cast and their talents to craft a crowd pleasing action extravaganza within a spectacularly developed world that has the potential to be the birth of a new action franchise.

 

Years after witnessing the brutal murder of his family and training with a mysterious shaman, Boy, a deaf mute, embarks on a mission to avenge his loved ones and get revenge against those individuals responsible for the death of his family.  

 

One of the most impressive aspects about Boy Kills World is the immersive world building at play in the film. We are introduced to this world that is both familiar yet futuristic through expansive sets, and wonderful production and costume design that brings to life every facet of this world. With a more simplistic revenge story, the film is able to develop the world in which the story plays out, the inner workings of its government and societal structure to fully flesh out what Boy is up against on his mission to avenge the death of his family. It may seem like a minor element of the film to the more casual viewer, but without this attention to detail to create the world in which the story takes place, the stakes of Boy’s journey over the course of the film would not reach the dramatic heights they do.

 

The story itself is good; it follows the path you expect it to. It is a simplistic story, which is not bad in this case but an asset to the film as it provides enough conflict and intrigue to sustain Boy’s mission for the film’s entire runtime. The twist that comes near the end of the film is foreseeable, but with such a talented cast, it still comes across as a dramatic moment that will set the emotional tone of the film heading into the final fight sequence. 

 

But you aren’t watching Boy Kills World for its complex story; you are watching it for the action sequences, and the film delivers some of the most enjoyable action moments of the year. Firmly rooting itself as a B style action film, there is an unrelentless amount of gore in the fight sequences that is stylized like a comic book to ensure that the sequences stay entertaining and never become gross. The fight choreography is outstanding, delivering high octane, furiously fast and exhilarating sequences throughout the film. Whether it be hand to hand combat, gun fights, or other unexpected weapons that Boy uses on his rampage, the fight sequences are going to have the inner action fan in you grinning from ear to ear. And that cheese grater scene… just brilliant! It’s hard to fathom, but it truly tops the cheese grater sequence from Evil Dead Rise with a gnarly moment in the film that will have you quickly gasping in shock and disgust, before letting out a gleeful cheer as it is an epic moment to say the least.