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SOMETHING'S GOTTA GIVE
Sony Pictures l 2003 l 128 mins l Rated PG-13 l April 28, 2026
Cast: Jack Nicholson, Diane Keaton, Keanu Reeves, Frances McDormand, and Amanda Peet
Director(s): Nancy Meyers
Producer(s): Nancy Meyers, Bruce A. Block
Writer(s): Nancy Meyers
A divorced, successful playwright Erica Barry has given up on finding a fulfilling romantic relationship. When her beautiful young daughter Marin visits the family's Hamptons home with her aging, lothario boyfriend Harry Sanborn, Erica's plight as a mature, single woman comes into stark focus. Harry exclusively dates young women, which infuriates Erica. Though initially they repel each other, things change when Harry has a heart attack and Erica comes to his aid.

Video:
Codec: MPEG-4 AVC
Resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Audio:
English: DTS-HD Master Audio 5.1
Special Features:
> Commentary #1 - Writer/director Nancy Meyers and actor Jack Nicholson
> Commentary #2 - Actor Diane Keaton, Nancy Meyers. and producer Bruce Block
> Deleted Scenes
> Hamptons House Set Tour
> Theatrical Trailer
film review
Review By Darren Zakus / May 15, 2026
Rating 4.5 out of 5
One of the most notable storytellers in the romantic comedy genre is Nancy Meyers. For decades, Meyers has created some of the most memorable romantic comedies to ever grace the silver screen, both as a director and writer, with such notable films as Father of the Bride, The Parent Trap and The Holiday. She has worked with some of the best actors in Hollywood across her films, but it is her film with legends of the screen Diane Keaton and Jack Nicholson that remains one of her best films to date. Never short on the meaningful exploration of love that have defined Meyers films, this time focusing on themes of second chances at love and age, and bolstered by the fantastic pairing and performances of Keaton and Nicholson, Something’s Gotta Give is romantic comedy gold that showcases the genre at its best.
What has always defined Meyer’s romantic comedies is the intelligence in her writing. Instead of focusing on cheap comedic gags and young lovers, Meyers tends to focus on older characters with more life experience and nuances, and that is exactly what she does in Something’s Gotta Give. Even though Harry and Erica have more life experience, they are not as wise when it comes to love, and watching them begin to realize their true feelings for each other is where Meyers finds the magic in her screenplay. Working from the initial clashing of these two characters with their snap judgement of each other, helping to deliver an explosive start to the film, Meyers’ honest discussion around dating, age and love builds a meaningful connection between Harry and Erica as they begin to develop feelings for each other. The writing never skips an opportunity for great laughs throughout her screenplay creating some of the funniest moments of any of her films, ensuring laugh out loud moments throughout the film. Whether it be a joke about Jack dating younger women or the overreactions towards Jack from Erica, Something’s Gotta Give never forgets the comedic element of the romantic comedy, but Meyers never loses sight of the heart and sophistication of the character arcs or themes of the film, delivering not only an excellent screenplay but one of the best romantic comedies of the 2000s.
Both Keaton and Nicholson are legends in Hollywood with impressive resumes and Academy Awards, and their reunion after 1981’s Reds in Something’s Gotta Give is truly remarkable. Earning her fourth Academy Award nomination for this performance, Keaton is nothing short of brilliant from start to finish as Erica with her unparalleled comedic timing that is simultaneously warm, hyperactive and deeply grounded. There is never a second where Keaton does not capture Erica’s tendencies to overthink or her more narrow minded point of view based on her past experiences with love, but, it is in the moments of Erica’s vulnerability where Keaton she strikes gold with her performance, creating an incredibly relatable and fascinating leading character that audiences can’t help but fall in love with. And the cherry on top of her performance is her crying scene, which may just be one of the best crying performances ever captured on camera. Without question, Keaton delivers one of the best performances of her entire career as Erica.
Nicholson is effortlessly smooth and cocky as Jack, easily slipping into the skin of this womanizer afraid of love and true connection, who is out of his comfort zone after meeting Erica, the only woman to truly challenge him. As a pairing, it is instant fireworks between Keaton and Nicholson as the romantic chemistry leaps off the screen, beginning with their heated fights which slowly builds into a tender and meaningful connection that guarantees the viewers will be swooning and whisked away on a beautiful romantic journey. Supporting Keaton and Nicholson is a superb supporting cast comprised of Keanu Reeves, who is sweet and endearing every second he is on screen; Amanda Peet who handles Marin’s complicated position within the film’s love triangle with a grace, compassion and wisdom far beyond her years that helps drive home the film’s final act; and Frances McDormand who always delivers a great comedic moment when she is on screen while helping to push Erica to truly face her feelings.
With a charm and sophistication in every scene, Nancy Meyers confirms her status as one of the maestros of the romantic comedy genre with Something’s Gotta Give, delivering a beautiful film with uncontrollable laughter, a tender romance, and the majestic performances of Diane Keaton and Jack Nicholson.
disc review
Video: 4/5
Audio: 3.5/5
Bonus Features: 2/5
From a visual standpoint, Sony Pictures has delivered a great looking release for this Nancy Meyers classic. The visual presentation has a healthy amount of grain that when combined with the warm colour palette, gives clarity to the film’s production design and costuming while highlighting it being shot on 35mm film stock. Colours are vibrant throughout, creating a dreamlike presentation with the uses of whites, tans and blues, while the distinction of the blacks and darker colours add great contrast to the film’s visual presentation, delivering a much welcomed upgrade for the film. Repackaging the film’s original DTS-HD Master Audio 5.1 audio track, the Blu-Ray release’s audiotrack does the job and balances the film’s musical score, soundtrack choices and dialogue nicely while positioning the sounds appropriately throughout the speakers to immerse viewers in the romance and laughter of Meyers’ story.
In terms of bonus features, Sony Pictures repurposes the same that were available on the film’s original DVD release: two audio commentary tracks, a deleted scene, a house set tour and the film’s theatrical trailer. The standout is definitely the two audio tracks, one with Meyers and Keaton (and producer Bruce A. Block) and the other with Meyers and Keaton, offering a his and her commentary for the film that is exactly what this battle of the sexes romantic comedy deserves. While the house set tour gives a glimpse to the always impeccable Meyers’ set, and most famously the kitchens in her films, there is little substance to it that makes for an underwhelming bonus feature. And despite its short runtime, the deleted scene of Harry singing karaoke of “La Vie en Rose” is a true delight and begs the question why this fun scene wasn’t in the final cut apart from shaving down the runtime.
It’s hard to imagine that Something’s Gotta Give has never gotten a Blu-Ray release in over twenty-three years, but Sony Pictures has finally corrected this shortcoming of its Blu-Ray library with this release. The disc’s technicals are good, even if there is nothing new in terms of bonus features, making for an easy purchase for fans of Meyers’ films looking to add this title to their collection or upgrade the previous DVD copy.
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