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MY DEAD FRIEND ZOE

​I Briarcliff Entertainment I February 28, 2025 I 108 mins. I

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96%

Sonequa Martin-Green, Natalie Morales, Ed Harris, 

Morgan Freeman, Utkarsh Ambudkar, Gloria Reuben

CAST:

DIRECTOR(S): 

Kyle Hausmann-Stokes

* As of 2/24/25

Engaged in a mysterious relationship with wise-cracking (and dead) best friend from the Army, a female Afghanistan veteran reluctantly reunites with her estranged Vietnam vet grandfather at the family's ancestral lake house.

REVIEW BY: Darren Zakus - 2/24/25

RATING 4 out of 5

My Dead Friend Zoe is an incredibly important exploration of the grief and trauma of veterans featuring two spectacular performances from Sonequa Martin-Green and Natalie Morales, resulting in one deeply moving film that marks the feature debut of writer and director Kyle Hausmann-Stokes as one of the most impressive new filmmakers.

 

Premiering last year at the SXSW Film Festival and picking up the Audience Award, and acquiring Kansas City Chiefs’ tight end Travis Kelce as an executive producer back in the fall, Kyle Hausmann-Stokes’ feature directorial debut is finally making its public debut. Inspired by the friendships he made while serving in the United States military as a paratrooper and dealing with personal themes of loss, grief, survivor’s guilt, and the veteran experience, Hausmann-Stokes mixes black comedy with an intimate character study to create one deeply moving and hilarious film that is bound to win audiences over. Though it is the winning pairing of Sonequa Martin-Green and Natalie Morales in the lead roles of Merit and Zoe respectively that makes My Dead Friend Zoe not only a film that is going to resonate with viewers and help continue the discussion and support for veteran mental health, but it is one of the first truly great films of 2025.

 

The strength of My Dead Friend Zoe lies in its screenplay and story, which explores the life of a veteran re-adjusting to life back home after service and a personal loss with an honesty and vulnerability that creates the emotional backbone of the entire film. Within the first few scenes, the audience learns that Merit’s best friend Zoe is dead, despite her mind having Zoe with her at all times, but we are not given any context as to how Zoe died. As Merit refuses to talk about and even think about Zoe’s passing, in a hope to prevent her friend’s memory from leaving her, the audience continues through the film in the dark about the past trauma that is causing such struggle for Merit, until she herself is ready to face it herself. Zoe is used as a coping mechanism for Merit’s grief, at times distracting her from her PTSD with some hilarious moments that shows more than just trauma riddled veterans, but at other times Zoe becomes a physical manifestation of that PTSD, pushing Merit to her breaking point in a hope of providing closure by finally facing the truth of Zoe’s passing. Between Merit’s inability to talk about Zoe, her relationship with her grandfather who is a Vietnam veteran himself also struggling, and the support group run by Morgan Freeman’s Dr. Cole, Hausmann-Stokes highlights the importance of providing veterans with the ability to discuss their past, their personal struggles and mental health in a safe and supportive environment, as the consequences of not having such a space is sadly too often tragic. The result is a deeply moving film, one in which Hausmann-Stokes can be immensely proud of as he achieves his aspiration of providing viewers with a better understanding of veterans and their lives thanks to the vulnerable and honest exploration of the themes he achieves in the film.

 

In doing all this, Hausmann-Stokes tells his story through Merit, played fantastically by Martin-Green in one of the best performances of the year so far. In every scene, Martin-Green internalizes Merit’s pain and PTSD and has it inform her character in every scene. Capturing the struggle that Merit has to face her path, Martin-Green humanizes this veteran trying to move forward with her life despite being unable to face the trauma of her past. It’s a beautiful performance that has moments of pure joy and life, while also going to an incredibly vulnerable place in the film’s more emotional moments that will break viewers and leave them in tears. It’s too early to be predicting awards nominations, but Martin-Green is definitely one to keep an eye on for the Best Actress category. Co-starring with Martin-Green is Morales as Merit’s dead friend Zoe, who is a figment of Merit’s imagination. In the majority of her scenes, Morales revels in the comedic moments of her character and provides a levity to the film to counter the heavier subject matter. Though when the script is called upon for Zoe to force Merit to address her past, Morales finds a dramatic weight and creates some of the most emotionally charged moments of the film and gives both her and Martin-Green the depth to truly affect audiences with their performances. As a pairing, Martin-Green and Morales are dynamite together, capturing an everlasting bond between their two characters instantly and developing such a beautiful friendship that energizes the entire film.

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Equally as impressive as the two central performances of Martin-Green and Morales are the supporting performances, notably from Ed Harris and Morgan Freeman. Harris does wonders capturing Merit’s grandfather Dale. Also with a troubled relationship with his veteran identity, and his attitude towards younger veterans with their views on PTSD and acceptance of it that was not present for his generation, Harris does a wonderful job capturing the complex nature of Dale. With a hardened exterior that has been put up to avoid talking about the horrors he experienced in Vietnam; it generates conflict with Merit while Harris grapples with the internal turmoil within Dale as he begins to lose control of his life as he has known it. It leads to some wonderful moments between Harris and Martin-Green, both processing different emotions that helps each of their characters develop over the course of the film. While in a much smaller, but not less important, Freeman is exquisite as Dr. Cole, the leader of the support group that Merit attends. With warmth, compassion, wisdom and patience, there was no better actor for the role than Freeman. Gloria Reuben is great as Merit’s mother Kris, trying to set her family on the path she seems fit despite being absent, while Utkarsh Amudkar is an absolute delight as Alex, the manager of the retirement home and Merit’s love interest. And to bring an authenticity to the film, many of the supporting characters that are veterans are played by real life veterans. It’s an admirable casting decision by Hausmann-Stokes given the film’s intentions, and one that gives an honesty to these characters speaking about their PTSD and struggles, as the veterans playing them have made it through such circumstances and can be viewed as a role model and mentor for those veterans who are struggling with similar circumstances today.


Every year, there is always one or two films that are so incredibly moving that it's impossible not to be caught up by the emotions of the story and be a puddle of tears by the end of it, and it feels like My Dead Friend Zoe is going to be one of those films for 2025. With an impactful story and direction from Kyle Hausmann-Stokes in his feature film debut, the themes of grief and trauma within the veteran community become universal in this deeply moving and funny film that is certain to win over the hearts of audiences. Led by the powerhouse performances and pairing of Sonequa Martin-Green and Natalie Morales, My Dead Friend Zoe becomes a profoundly moving cinematic experience that will have audiences laughing one second and then crying the next as Kyle Hausmann-Stokes beautifully explores the struggles of veterans coming home from the war.

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