BOY KILLS WORLD | Germany, South Africa, USA | 2023 | 111m | English
Starring: Bill Skarsgård, Jessica Rothe, Michelle Dockery, Brett Gelman, Isaiah Mustafa, Yayan Ruhian
Directed By: Moritz Mohr
Akin to stuffing a supercollider full of arcade beat ’em ups, ultra-violent comics, and martial-arts B movies, and then mashing all the buttons, Moritz Mohr’s feature-film debut is a wicked, maximalist action-opera that pits a titular Boy (Bill Skarsgård) against Hilda Van Der Koy (Famke Janssen), the deranged matriarch of a corrupt post-apocalyptic dynasty that left the boy orphaned, deafened, and voiceless. Moulded from this tragic childhood into an instrument for revenge by an enigmatic shaman (The Raid’s Yayan Ruhian), Boy is set loose in his far-flung dystopia on the eve of its annual culling of dissidents. Feverish bedlam ensues. As he tries to parse his place in this delirious realm, Boy soon falls in with a desperate resistance group, all the while bickering with the apparent ghost of his rebellious little sister.
There is little nuance to this mayhem, but heaps of heart, particularly in Boy’s naive sincerity. This isn’t a purely silent performance — an inner voice intermittently expresses his character’s increasing incredulity — but Skarsgård is infectious as he expressively reacts to the wild antics of his fellow cast. This includes the wacky Sharlto Copley and Brett Gellman as Van Der Koy’s cronies, Jessica Rothe as a hardened enforcer who communicates via her sick LED motorcycle helmet, and a hilariously mumbly Isaiah Mustafa, whose frequent exposition transforms into surrealist asides on account of Boy’s bad lip-reading.
TIFF REVIEW BY: Darren Zakus
RATING 4 out of 5
Gran Turismo races into the end of the summer movie season with a truly crowd pleasing experience, full of excellently executed race sequences with cinematography and sound design that puts you in the driver’s seat, allowing director Neill Blomkamp to deliver the last surprise hit of the summer!
True story sports films are always enjoyable to watch, with their universal story of the underdog’s struggle to achieve their dreams. Even though it’s a story arc that has been done countless times, it is always an inspiring experience that is easy to get swept up in. In recent years, we have been treated to excellent racing films with Ron Howard’s Rush and James Mangold’s Ford v Ferrari (which remains one of my all time favourite sports films), and director Neill Blomkamp has delivered the next hit for the racing genre. While it shares the name of the popular Playstation video game franchise, this is not a video game adaptation but a heart pounding sports drama that pays homage to the games while creating a film that will have audiences cheering in their seats.
Jann Mardenborough dreams of being a professional race car driver, having spent thousands of hours racing on Gran Turismo, making him one of the best players in the world. When Nissan holds a contest, inviting the game’s best players to train to become a professional driver for Team Nissan, Jann begins the journey of a lifetime to pursue his dream at all costs with the aid of an ex-racer as his trainer and a marketing executive, both determined to make him a professional racer.
The story of Gran Turismo may feel like so many other sports films with its familiar story of the underdog becoming a sports legend, though this does not prevent it from being enjoyable for a second. Sprinkled throughout the story are nods to the Gran Turismo video games, whether it be CGI added to the race sequences to simulate the aesthetics of the video game or the constant reminders that the drivers in the film were trained playing Gran Turismo. It’s got the hallmarks of the sports genre, all building to a thrilling final act with the historic sports moment of the film, but the screenplay never loses track of the human story for a second. Jann Mardenborough’s story and his perseverance of how he became the historic driver he is today is full of heart, making it easy for the audience to connect with his character on an emotional and personal level. You feel his struggle and pain, have your soul lift when he succeeds, and watch anxiously as he chases his dreams over the course of the film, ensuring that audiences are invested in the story. Yes, the screenplay may play fast and loose with the facts at times to create a more dramatic story and it starts off a little rocky in the first act before finding its winning path to the finish line, but the result is a film that audiences are going to fall in love with.